Not in harmony

Blog still a shambles? Yes. (Conversion tool… oh, right, I meant to put that up.) Knitting not progressed? Not very much at all. A new story? Perhaps.

Do you know those multicoloured knitting needles–those ones made from a laminate composed of different coloured layers?

Who makes them?

… okay, then. Who made them first?

The fact that KnitPick’s popular Harmony needles, cut on an angle from a multicoloured composite laminate, were preceded by Grafton Fibers’s Darn Pretty Needles is not a new discovery. Grafton (now Dyakcraft) had been selling their needles for a while before they were “harlotted” in mid-2007. Dyakcraft had already been in the business of selling small weaving looms, which they called Harmony Looms, for a few years as well.

Of course, given the popularity of KnitPicks, thanks to their competitively-priced yarn, there are probably a lot of knitters out there who believe that Dyakcraft copied KnitPicks unless they have the opportunity to be put right by others who frequented carefully-curated yarn shops or shopped with artisans rather than mass-producers prior to the introduction of Harmony needles. This sort of mistake on the part of the consumer is not unusual when a smaller producer is outsold by a larger company.

The appearance of the Harmony needles must be of significant importance to Crafts Americana, the KnitPicks parent company. Indeed, last year they filed a U.S. trademark application for the appearance, or trade dress, of their multicoloured laminate needles. They also filed a trademark application (since registered) for HARMONY for use in association with knitting needles…

You know where this is going, don’t you? If you do, your prior education regarding STITCH ‘N’ BITCH has served you well.
Continue reading

Posted in legal briefs | 22 Comments

Hello world. Sigh.

Well, first some code on most of my site got eaten by the… I don’t know, maybe the incompatibility monster.

And then my webhost went down for a day, and took my e-mail with it. I know it’s not just me, because I can’t even get to their website.

So I’m in the process of moving and re-installing everything, which is just as well because I had two different templates running on the site, and it needed to be revamped. Especially the patterns. And upgraded, badly. Very badly.

I might even have a backup handy, but restoration of old posts and content is going to take a while…

Posted in Uncategorized | 10 Comments

Read the fine print.

Here’s another thing.

Since it was launched, people have been touting Creative Commons as a great idea. And it is, frankly. There are a lot of creators out there who do want to share their work in a spirit that focuses on attribution and perpetuating the work (because the more a work is distributed the more it will live on, one way or another). And — well, I don’t need to promote CC or point out how it’s been used by various publishers and self-publishers.

But just one thing: please, before you decide to use a CC licence for your work, make sure it means what you think it means.

Publishers may choose the non-commercial use version of the CC licence, thinking that by doing so they have prevented anybody from profiting in any way from the use of their work. When you read the bright, clear language on the allegedly “human-readable summary” page for the attribution-noncommercial-noderivs (unported) CC licence, you see this:

Noncommercial. You may not use this work for commercial purposes.

That’s great. However, you might not realize that this does not guarantee that the CC licence prohibits any commercial use.

Why? Because the CC licence makes a point of stating that, notwithstanding the rest of its provisions, there is no derogation from the user’s fair dealing or fair use rights. If you read a little further down on the human-readable summary page, you’ll also see this:

Your fair dealing and other rights are in no way affected by the above.

(If you’re reading a US-ported version, it will say “fair use”.)

And if you click through to read the actual licence text (which, by the way, was written by a human, too), you’ll see (unported version again):

Nothing in this License is intended to reduce, limit, or restrict any uses free from copyright or rights arising from limitations or exceptions that are provided for in connection with the copyright protection under copyright law or other applicable laws.

The fact is that while much of fair dealing or fair use is non-commercial in nature, some uses of copyrighted works may be fair and have a commercial aspect at the same time. If I do research in order to provide a service to clients who pay me for my work, depending on my activity I may be dealing fairly with the research materials I use, but there is still a commercial aspect to my use.

Let’s take the example of the previous post: the situation where the publisher doesn’t want somebody making money by teaching classes from patterns that are distributed free of charge, even if the teacher directs the students to get their own copies. Clearly, there is some kind of commercial use going on; the teacher (who probably has her own copy) is reading the pattern, and helping her students knit the pattern from their own copies — for a fee. The exam question: would a CC non-commercial licence suit the publisher’s requirements, and why or why not? Would your answer change if the teacher did hand out copies of the pattern, otherwise in accordance with the attribution and non-derivation requirements? Would your answer change again if it was not a teacher, but a retailer who displayed a knit sample next to a pile of yarn for sale, and handed out cards with the pattern’s URL (not the pattern)?

The bottom line is this: if you are uncertain whether a commercial use falls within fair use or fair dealing, and you are interested in prohibiting that kind of use, seriously consider whether a CC licence is your best option. You might need to impose some other kind of licence agreement to protect your work the way you want.

Posted in unfinished thoughts | 2 Comments

Riddle me this…

How do (hand knitting/crocheting) designers view fair use or fair dealing? A good thing, right?

I assume that, for many designs, we can all agree that some of the elements incorporated into a design or a pattern did not originate from the designer, to the extent that the designer cannot really complain if someone else in turn takes that same element and incorporates it into their own design or pattern: a traditional motif, a stitch pattern from a dictionary.

And it could be that it is that element that really “makes” the design. Sometimes the designer has applied her own interpretation to the element, somehow adapted it to make it work in the shape of the garment or accessory in a way that may not have been done before. Yet, the element itself is not new, and we do not question the designer’s right to take that known element, and incorporate it into something from which she can derive profit.

Why, then, is there such objection to having shops teach from those patterns, for pay, without further permission, provided the teacher who teaches from the pattern does not violate copyright in the pattern (for example by running off unauthorized copies (e.g., paying for one and making copies for distribution from that one) or removing the original authorship/copyright ownership information)? Even in the context of patterns distributed by the publisher without charge, if each student is directed to obtain her own copy personally? And provided there is no implication that there was any connection between the shop and the designer, beyond the fact that it was her pattern being used in the class?

This is not so much about the legal underpinnings, as it is me trying to understand why that next step is so problematic for some designers.

Or maybe I do understand, and I don’t realize it. I remember when I finished writing Rogue: I was so proud of it; I had never seen anything like it. And it was time to price the pattern. I knew what kinds of prices had been charged for PDF patterns at the time (Bonne Marie Burns was my benchmark), but I remember thinking to myself that there was no way I could let it go for more than $10/copy. I talked myself down from that price, obviously, but I remember that it was a bit of a wrench to accept that what I thought I deserved was likely not realistic. It’s hard to be objective about your own work.

And initially, I did not like the concept of people knitting FOs for sale from my patterns any more than others seem to do. But then I realized that the likelihood of anyone earning a living from knitting up my patterns alone was pretty slim. The designs that I care most about are not ones that can be easily replicated by machine; there would still need to be a substantial amount of handwork, even if the construction of the piece were somehow changed to maximize the amount of machine knitting. (I do care that knitters are not exploited, which is why my licence specifies that the seller must be the one who knit the item, along the lines of a typical angel policy.)

It also struck me that there was some kind of incongruity: if I was willing to say that hand knit items were undervalued and if I deplored the fact that people had been taught to value the cheaply mass-produced over the artisanally-crafted works, why did I want to deprive the skilled knitter from realizing revenue from knitting my designs, if my designs could help the knitter realize a higher price for her skills?

Posted in unfinished thoughts | 20 Comments

Well, that didn't take… uh… short.

This, finally:

For Immediate Release
March 12, 2009

Contact: Debbie Stoller, [redacted]
Gregory Garvin, [redacted although tempted]

HEADLINE: Sew Fast Sew Easy and Debbie Stoller Reach Agreement on Trademark

(New York, NY) ?Ǭ? Sew Fast Sew Easy and Debbie Stoller have reached an agreement over the use of the marks ?Ǭ?Stitch and Bitch Cafe?Ǭ? and ?Ǭ?Stitch ‘N Bitch.?Ǭ?

Under the terms of the agreement, Sew Fast Sew Easy’s ?Ǭ?Stitch and Bitch Cafe?Ǭ? mark will be limited to goods and services in the areas of sewing and embroidery, while Stoller?Ǭ?s ?Ǭ?Stitch ‘N Bitch?Ǭ? mark will be limited to goods and services in the areas of knitting and crochet.

“I am glad to report that we have amicably resolved our dispute and differences to the satisfaction of each party,” said Sew Fast Sew Easy’s Vice President, Gregory Garvin.

“We are all happy to put this dispute behind us and are urging all of our respective supporters and other concerned parties to likewise put this dispute behind them and discontinue any remaining boycotts,” said Debbie Stoller, author of the ?Ǭ?Stitch ‘N Bitch?Ǭ? series of knitting books.

# # #

This was in my inbox, not quite 10 months since it was announced that the press release would be “forthcoming”.

On that note, I suppose my next pattern is roughly “forthcoming”. Good! I have enough deadlines.

Posted in stitch v. bitch, themes | 9 Comments

I lost it.

I can’t find the yarn I’m looking for.

It’s the Zara that was on sale at elann four or so years ago. The yarn that people bought, and then discovered smelled funny? Like kimchi? That yarn.

I bought it in ecru and green, and however much I got (I haven’t looked it up), it was two sweaters’ worth. I can’t find it in the kid’s closet (which has nothing of theirs in it, it’s all my stuff), I can’t find it in the Rubbermaid Bins of Mystery in the bedroom, I can’t find it in the Closet of Further Mystery and a Great Deal of Fabric in my room, it’s not in the list of yarn in the Offsite Storage Locker of You Realize You Have a Problem With All This Yarn, I see no mention of it in my e-mail about having sold it off (would you sell somebody yarn that you knew used to smell like kimchi?) unless I was looking in the wrong folders… the only place I haven’t checked is the downstairs Storage Locker, because I’ve been putting it off because the Storage Locker is of Doom and the entire parking garage has this parking garage musty smell (not really musty, but I don’t know how to describe it) that sticks to you, but which fortunately has not permeated the yarn in the of Doom Storage Locker, because the yarn down there is in Rubbermaid Bins of Fortitude. But aside from that, I have no recollection of putting the yarn down there so if it’s there I will be surprised.

The end.

Posted in Uncategorized | 6 Comments

Public service captcha

(I had been procrastinating regarding work. Nothing surprising.)

So, the simple, custom anti-spam plugin failed and I was getting tons of spam comments. I’ve just installed reCAPTCHA, which I used to hate when I first encountered it (on the USPTO website), but once I realized that it actually provides a public good by helping to digitize books, I forgave it. The only sad part is that I can’t customize it to throw up words like “disagree” or “saskatoon” or “bunker”.

Five minutes, and no spam yet. Hurrah!

ETA: not true, it’s not working to stop spam. I just installed Bad Behaviour, but I’m kinda doubtful because it seems to be slowing down the response time. I’ll test it for a bit and then decide what to do.

Also, I may choose to add “saskatoon” and “casein” or however it is “king teddy bear” is supposed to be spelled to the blacklist, but I don’t think that’ll speed things up.

Posted in Uncategorized | 5 Comments

Guess the year

So, I was doing a search for an old e-mail address of mine, because… uh, I have no idea why I decided to do that. I think I must have seen something in passing that made me think of it. (Great. This was only about three minutes ago, and I simply can’t remember what it was I was thinking that made be decide to search.)

Anyway, I didn’t find anything interesting, but one of the hits was this:

http://www.lib.uwaterloo.ca/stats/pweb/months/hosts/uwproxy.4.total-remote-hosts.html

Pretty uneventful… for the 90s. The second site listed is Netscape. There is no Google. Honda, SGI, and OpenText must have been the big employers on campus. I’m guessing 1995, because toystory.com is on the list.

Now why did I just waste my time (and yours reading this) on this? Oh, right. I’m procrastinating.

Posted in Uncategorized | 3 Comments

Answers (the procedural kind)

Answers to the complaints were filed in both the Bliss and Noro actions by the U.S. defendants (Bliss Answer, Noro Answer). The answers simply deny (mostly) the allegations in the complaints, admitting some non-contentious issues, and denying any knowledge of others.

There is not a lot to read between the lines here; however, one thing caught my eye. The answering defendants admitted, for example, that TKW “purchased hand knitting yarn from KFI spun with 12% cashmere”. Yarn that was spun with, not yarn “containing” or “comprising” (Noro Answer, paragraph 51). This is consistent with the rest of the answer, which does refer to the various tests of fiber composition that were made on the their behalf (or on behalf of someone in the supply chain) and says that the documents speak for themselves.

Some affirmative defences are also set out, including the assertion that the plaintiff had voluntarily assumed a known risk (presumably the risk that the goods were not what they purported to be?) and unclean hands (an equitable defence; where a plantiff seeks equitable relief from a court, the plaintiff itself should not have behaved inequitably itself in relation to the matter in dispute).

I’m not clear what the plaintiff’s inequitable conduct might have been, unless it was the subject of the counterclaims made by KFI: the plaintiff has “engaged in a course of conduct that, upon information and belief, is designed to impugn the reputation of KFI and disparage the quality of its yarn products” — pointing out in particular the yarn recall notice that TKW sent to its customers, and a May 2007 article that was published in The Chestnut Hill Local about the cashmere issue (if you do a Google search for relevant terms, you should be able to find the article). It is alleged that KFI experienced a loss of customers and sales as a result of TKW’s statements. So, KFI is claiming statutory defamation, disparagement, and tortious interference with both existing and prospective business relations.

Posted in legal briefs, themes | 2 Comments

Where's the cashmere? (14 Jan 2009)

TKW v. KFI, Debbie Bliss, et al.

Complaint filed September 2, 2008: document in two parts, here and here (and exhibits in three, here, here and here), posts here, here, (an aside), here, here and here.

Motion to dismiss filed September 24, 2008: document, post.

Plaintiff’s Response to motion to dismiss filed October 8, 2008: document (sorry, no post on it; haven’t had time, but if all you are concerned about is where the cashmere is, you won’t mind).

Moving Defendants’ Reply in motion to dismiss filed October 23, 2008: document.

Plaintiff’s Sur-reply in response to the above reply, filed November 10, 2008: document.

Memorandum and Opinion in motion to dismiss issued December 18, 2008: document.

Order consolidating the two cases, issued December 23, 2008: didn’t bother uploading the document.

Answer filed by US defendants, January 6, 2009: document, post.


TKW v. Noro, KFI, et al.

Complaint filed October 6, 2008: document here, posthere. Certificates of service on all defendants filed on October 21, 2008.

Motion to dismiss on behalf of all defendants except Noro filed November 10, 2008: document.

Plaintiff’s Response to motion to dismiss filed November 17, 2008: document.

Moving Defendants’ Reply in motion to dismiss filed November 23, 2008: document.

Plaintiff’s Sur-reply in motion to dismiss filed December 8, 2008: document.

Memorandum and Opinion in motion to dismiss issued December 19, 2008: document.

Order consolidating the two cases, issued December 23, 2008: didn’t bother uploading the document.

Answer filed by US defendants, January 6, 2009: document, post.


Posted in legal briefs, themes | 1 Comment